{"id":2476,"date":"2020-08-16T00:01:30","date_gmt":"2020-08-16T00:01:30","guid":{"rendered":"https:\/\/urbe.com.ar\/revista\/?p=2476"},"modified":"2024-07-20T17:55:59","modified_gmt":"2024-07-20T17:55:59","slug":"lenta-cancelacion-del-futuro-y-la-estafa-de-la-forma","status":"publish","type":"post","link":"https:\/\/urbe.com.ar\/revista\/lenta-cancelacion-del-futuro-y-la-estafa-de-la-forma\/","title":{"rendered":"LENTA CANCELACI\u00d3N DEL FUTURO Y LA ESTAFA DE LA FORMA"},"content":{"rendered":"<p>[et_pb_section fb_built=\u00bb1&#8243; disabled_on=\u00bbon|on|on\u00bb _builder_version=\u00bb4.4.8&#8243; disabled=\u00bbon\u00bb][et_pb_row _builder_version=\u00bb4.4.8&#8243;][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb4.4.8&#8243;][et_pb_text disabled_on=\u00bbon|on|on\u00bb _builder_version=\u00bb4.4.8&#8243; disabled=\u00bbon\u00bb]<\/p>\n<p>Por Juan Miceli | Comienza con un proceso de lectura err\u00e1tica y posterior desguace de una enciclopedia Espasa Calpe, edici\u00f3n 1931, 130 vol\u00famenes.  De esa hibridaci\u00f3n -entre el descubrir y cuestionar-  se conforma una video instalaci\u00f3n viviente en la que se conjugan piezas cer\u00e1micas que se proponen como f\u00f3siles de la modernidad y proyecciones sobre p\u00e1ginas de esa enciclopedia.<br \/>\nEl papel se transforma en el soporte de im\u00e1genes que, generadas electr\u00f3nicamente, dejan \u201cdebajo\u201d un conocimiento caduco.<br \/>\nEstas consisten en videos generativos e interactivos realizados a partir de datos extra\u00eddos de mi propio cuerpo (microscopias, tomograf\u00eda, videodeglusion, etc)  como un modo de tensar la pregunta de cu\u00e1nto puede digitalizarse lo humano (mi nueva pregunta obsesiva sobre la relaci\u00f3n entre datos continuos y discretos). Mi cuerpo aparece como dato continuo de la vida, y a la par generando data con objetos cer\u00e1micos, muestras que han quedado para \u201cfijar\u201d.\n<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1&#8243; disabled_on=\u00bbon|on|off\u00bb _builder_version=\u00bb4.4.8&#8243; background_enable_color=\u00bboff\u00bb width=\u00bb100%\u00bb max_width=\u00bb100%\u00bb custom_padding=\u00bb0px||0px||false|false\u00bb][et_pb_row column_structure=\u00bb2_3,1_3&#8243; use_custom_gutter=\u00bbon\u00bb gutter_width=\u00bb1&#8243; make_equal=\u00bbon\u00bb _builder_version=\u00bb4.4.8&#8243; custom_margin=\u00bb||0%||false|false\u00bb custom_padding=\u00bb0px||1%||false|false\u00bb hover_enabled=\u00bb0&#8243;][et_pb_column type=\u00bb2_3&#8243; _builder_version=\u00bb4.4.8&#8243; background_image=\u00bbhttps:\/\/urbe.com.ar\/revista\/wp-content\/uploads\/2020\/08\/a-miceli-720-4.jpg\u00bb hover_enabled=\u00bb0&#8243;][\/et_pb_column][et_pb_column type=\u00bb1_3&#8243; _builder_version=\u00bb4.4.8&#8243; background_enable_image=\u00bboff\u00bb][et_pb_image src=\u00bbhttps:\/\/urbe.com.ar\/revista\/wp-content\/uploads\/2020\/07\/logo-nota-cuadrado.jpg\u00bb url=\u00bbhttps:\/\/urbe.com.ar\/revista\/\u00bb _builder_version=\u00bb4.4.8&#8243; custom_margin=\u00bb|||3%|false|false\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1&#8243; disabled_on=\u00bboff|off|on\u00bb _builder_version=\u00bb4.4.8&#8243; background_enable_color=\u00bboff\u00bb width=\u00bb100%\u00bb max_width=\u00bb100%\u00bb custom_padding=\u00bb0px||0px||false|false\u00bb][et_pb_row use_custom_gutter=\u00bbon\u00bb gutter_width=\u00bb1&#8243; make_equal=\u00bbon\u00bb _builder_version=\u00bb4.4.8&#8243; custom_margin=\u00bb||0%||false|false\u00bb custom_padding=\u00bb0px||1%||false|false\u00bb hover_enabled=\u00bb0&#8243;][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb4.4.8&#8243; background_enable_image=\u00bboff\u00bb][et_pb_image src=\u00bbhttps:\/\/urbe.com.ar\/revista\/wp-content\/uploads\/2020\/08\/a-miceli-720-4.jpg\u00bb disabled_on=\u00bbon|off|off\u00bb _builder_version=\u00bb4.4.8&#8243; background_image=\u00bbhttps:\/\/urbe.com.ar\/revista\/wp-content\/uploads\/2020\/07\/barra-feminismos.jpg\u00bb hover_enabled=\u00bb0&#8243; align=\u00bbcenter\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1&#8243; use_custom_gutter=\u00bbon\u00bb specialty=\u00bbon\u00bb padding_top_bottom_link_1=\u00bbfalse\u00bb padding_top_bottom_link_2=\u00bbfalse\u00bb padding_left_right_link_1=\u00bbfalse\u00bb padding_left_right_link_2=\u00bbfalse\u00bb padding_left_2=\u00bb1%\u00bb _builder_version=\u00bb4.4.8&#8243; custom_padding=\u00bb0px||0px|||\u00bb][et_pb_column type=\u00bb2_3&#8243; specialty_columns=\u00bb2&#8243; _builder_version=\u00bb3.25&#8243; custom_padding=\u00bb|||\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_row_inner _builder_version=\u00bb4.4.8&#8243; custom_padding=\u00bb0px||0px|||\u00bb][et_pb_column_inner saved_specialty_column_type=\u00bb2_3&#8243; _builder_version=\u00bb4.4.8&#8243;][et_pb_text _builder_version=\u00bb4.4.8&#8243; text_text_color=\u00bb#ffffff\u00bb header_text_color=\u00bb#ffffff\u00bb background_image=\u00bbhttps:\/\/urbe.com.ar\/revista\/wp-content\/uploads\/2020\/07\/barra-artificios.jpg\u00bb text_orientation=\u00bbcenter\u00bb]<\/p>\n<h1>Artificios<\/h1>\n<p>[\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][et_pb_row_inner _builder_version=\u00bb4.4.8&#8243; background_color=\u00bb#ffffff\u00bb custom_padding=\u00bb0px||0px|||\u00bb][et_pb_column_inner saved_specialty_column_type=\u00bb2_3&#8243; _builder_version=\u00bb4.4.8&#8243;][et_pb_text _builder_version=\u00bb4.4.8&#8243; header_text_align=\u00bbcenter\u00bb header_text_color=\u00bb#009fad\u00bb custom_margin=\u00bb3%|5%|3%|5%|true|true\u00bb custom_padding=\u00bb|10%||10%|false|true\u00bb]<\/p>\n<h1>LENTA CANCELACI\u00d3N DEL FUTURO Y LA ESTAFA DE LA FORMA<\/h1>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.4.8&#8243; text_font=\u00bb|600|||||||\u00bb text_text_color=\u00bb#009fad\u00bb text_font_size=\u00bb18px\u00bb header_text_align=\u00bbcenter\u00bb header_font_size=\u00bb35px\u00bb text_orientation=\u00bbjustified\u00bb custom_margin=\u00bb2%|5%|2%|5%|true|true\u00bb]<\/p>\n<p>Por <b>Juan Miceli<\/b><br \/>\n16\/08\/20<\/p>\n<p>[\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][et_pb_row_inner column_structure=\u00bb1_2,1_2&#8243; 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custom_css_main_element=\u00bb||width: 40% !important;||margin: auto;||display: flex;||flex-direction: column;||justify-content: center;\u00bb][et_pb_code _builder_version=\u00bb4.4.8&#8243; text_orientation=\u00bbcenter\u00bb module_alignment=\u00bbcenter\u00bb custom_margin=\u00bb2%||2%||true|false\u00bb custom_padding=\u00bb|20%||20%|false|true\u00bb]<div class=\"et_social_networks et_social_3col et_social_simple et_social_circle et_social_top et_social_nospace et_social_shortcode_0 et_social_mobile_on et_social_outer_dark\">\n\t\t\t\t\t<style type=\"text\/css\">.et_monarch .et_social_shortcode_0 li,.et_monarch .et_social_shortcode_0.et_social_circle ul li i.et_social_icon { background: #00c5d7; } .et_monarch .et_social_shortcode_0.et_social_rounded .et_social_icons_container li:hover, .et_monarch .et_social_shortcode_0.et_social_rectangle .et_social_icons_container li:hover, .et_monarch .et_social_shortcode_0.et_social_circle .et_social_icons_container li:hover i.et_social_icon { background: #ffffff !important; } .et_monarch .et_social_shortcode_0 .et_social_icon, .et_monarch .et_social_shortcode_0 .et_social_networks .et_social_network_label, .et_monarch .et_social_shortcode_0 .et_social_networkname, .et_monarch .et_social_shortcode_0 .et_social_count { color: #ffffff !important; } .et_monarch .et_social_shortcode_0 .et_social_icons_container li:hover .et_social_icon, .et_monarch .et_social_shortcode_0 .et_social_networks .et_social_icons_container li:hover .et_social_network_label, .et_monarch .et_social_shortcode_0 .et_social_icons_container li:hover .et_social_networkname, .et_monarch .et_social_rounded.et_social_shortcode_0 .et_social_icons_container li:hover .et_social_count, .et_monarch .et_social_rectangle.et_social_shortcode_0 .et_social_icons_container li:hover .et_social_count { color: #00c5d7 !important; }<\/style>\n\t\t\t\t\t\n\t\t\t\t\t<ul class=\"et_social_icons_container\"><li class=\"et_social_facebook\">\n\t\t\t\t\t\t<a href=\"#\" class=\"et_social_follow\" data-social_name=\"facebook\" data-social_type=\"follow\" data-post_id=\"0\" target=\"_blank\">\n\t\t\t\t\t\t\t<i class=\"et_social_icon et_social_icon_facebook\"><\/i>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<span class=\"et_social_overlay\"><\/span>\n\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/li><li class=\"et_social_twitter\">\n\t\t\t\t\t\t<a href=\"https:\/\/twitter.com\/Revistaurbe_?s=12\" class=\"et_social_follow\" data-social_name=\"twitter\" data-social_type=\"follow\" data-post_id=\"0\" target=\"_blank\">\n\t\t\t\t\t\t\t<i class=\"et_social_icon et_social_icon_twitter\"><\/i>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<span class=\"et_social_overlay\"><\/span>\n\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/li><li class=\"et_social_instagram\">\n\t\t\t\t\t\t<a href=\"https:\/\/www.instagram.com\/revistaurbe\/?igshid=osawef034cfi\" class=\"et_social_follow\" data-social_name=\"instagram\" data-social_type=\"follow\" data-post_id=\"0\" target=\"_blank\">\n\t\t\t\t\t\t\t<i class=\"et_social_icon et_social_icon_instagram\"><\/i>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<span class=\"et_social_overlay\"><\/span>\n\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/li><\/ul>\n\t\t\t\t<\/div>[\/et_pb_code][\/et_pb_column_inner][\/et_pb_row_inner][et_pb_row_inner disabled_on=\u00bboff|on|on\u00bb _builder_version=\u00bb4.4.8&#8243; custom_padding=\u00bb0px||0px|||\u00bb][et_pb_column_inner saved_specialty_column_type=\u00bb2_3&#8243; _builder_version=\u00bb4.4.8&#8243;][et_pb_audio audio=\u00bbhttps:\/\/urbe.com.ar\/revista\/wp-content\/uploads\/2020\/08\/miceli-artificios.mp3&#8243; _builder_version=\u00bb4.4.8&#8243; caption_text_color=\u00bb#ffffff\u00bb background_color=\u00bb#00c5d7&#8243; custom_margin=\u00bb||||false|false\u00bb custom_padding=\u00bb||||false|false\u00bb border_color_all_image=\u00bb#ffffff\u00bb][\/et_pb_audio][\/et_pb_column_inner][\/et_pb_row_inner][et_pb_row_inner _builder_version=\u00bb4.4.8&#8243; background_color=\u00bb#ffffff\u00bb custom_padding=\u00bb0px||3px|0px||\u00bb][et_pb_column_inner saved_specialty_column_type=\u00bb2_3&#8243; _builder_version=\u00bb4.4.8&#8243;][et_pb_text _builder_version=\u00bb4.4.8&#8243; text_font_size=\u00bb16px\u00bb text_orientation=\u00bbjustified\u00bb custom_margin=\u00bb5%|5%||5%|false|true\u00bb]<\/p>\n<p>LENTA CANCELACI\u00d3N DEL FUTURO Comienza con un proceso de lectura err\u00e1tica y posterior desguace de una enciclopedia Espasa Calpe, edici\u00f3n 1931, 130 vol\u00famenes.  De esa hibridaci\u00f3n -entre el descubrir y cuestionar-  se conforma una video instalaci\u00f3n viviente en la que se conjugan piezas cer\u00e1micas que se proponen como f\u00f3siles de la modernidad y proyecciones sobre p\u00e1ginas de esa enciclopedia. <\/p>\n<p>El papel se transforma en el soporte de im\u00e1genes que, generadas electr\u00f3nicamente, dejan \u201cdebajo\u201d un conocimiento caduco. <\/p>\n<p>Estas consisten en videos generativos e interactivos realizados a partir de datos extra\u00eddos de mi propio cuerpo (microscopias, tomograf\u00eda, videodeglusion, etc)  como un modo de tensar la pregunta de cu\u00e1nto puede digitalizarse lo humano (mi nueva pregunta obsesiva sobre la relaci\u00f3n entre datos continuos y discretos). Mi cuerpo aparece como dato continuo de la vida, y a la par generando data con objetos cer\u00e1micos, muestras que han quedado para \u201cfijar\u201d.\n<\/p>\n<p>[\/et_pb_text][et_pb_image src=\u00bbhttps:\/\/urbe.com.ar\/revista\/wp-content\/uploads\/2020\/08\/a-miceli-720-nota.jpg\u00bb _builder_version=\u00bb4.4.8&#8243; custom_margin=\u00bb3%||3%||true|false\u00bb][\/et_pb_image][et_pb_image src=\u00bbhttps:\/\/urbe.com.ar\/revista\/wp-content\/uploads\/2020\/08\/a-miceli-720.png\u00bb _builder_version=\u00bb4.4.8&#8243; custom_margin=\u00bb3%||3%||true|false\u00bb][\/et_pb_image][et_pb_image src=\u00bbhttps:\/\/urbe.com.ar\/revista\/wp-content\/uploads\/2020\/08\/a-miceli-720-3.jpg\u00bb _builder_version=\u00bb4.4.8&#8243; custom_margin=\u00bb-0.2%||-0.2%||true|false\u00bb][\/et_pb_image][et_pb_image src=\u00bbhttps:\/\/urbe.com.ar\/revista\/wp-content\/uploads\/2020\/07\/separador-artificios.png\u00bb align=\u00bbcenter\u00bb _builder_version=\u00bb4.4.8&#8243;][\/et_pb_image][et_pb_video src=\u00bbhttps:\/\/www.youtube.com\/watch?v=T78iWC3P1J0&#038;t=9s\u00bb _builder_version=\u00bb4.4.8&#8243;][\/et_pb_video][et_pb_text _builder_version=\u00bb4.4.8&#8243; text_font_size=\u00bb16px\u00bb text_orientation=\u00bbjustified\u00bb custom_margin=\u00bb5%|5%||5%|false|true\u00bb]<\/p>\n<p><b>Juan Miceli<\/b> es artista audiovisual y  dise\u00f1ador de indumentaria (FADU\/ UBA). Actualmente cursa la Maestr\u00eda en Tecnolog\u00eda y Est\u00e9tica de las Artes Electr\u00f3nicas de UNTREF.  Sostiene la pr\u00e1ctica art\u00edstica como un modo de la investigaci\u00f3n que consiste en desclasificar y proponer variantes. Trabajo mayormente en video instalaciones colaborativas y desarrollo proyectos independientes con espacios e instituciones como Compa\u00f1\u00eda Nacional de Danza Contempor\u00e1nea, 704 Oficina de Arte, UNSAM, Universidad de C\u00f3rdoba, CCEBA, Archi Piel Lago, FNA, Videobardo. <\/p>\n<p>Mostr\u00f3 su obra en: C3, Museo de Ciencias Naturales B. Rivadavia, ThisIsNotAGallery, Universidad de General Sarmiento (UNGS), FNA, Fundaci\u00f3n Lebensohn, Museo MACA Jun\u00edn, Expressiones Cultural Center (New London, Us), Universidad de C\u00f3rdoba, Pasaje 17, Alpha Centauri, Museo de los Sures (NYC, Us), Basement Town (Brooklyn (NYC), CCEBA, C.C. Victoria Ocampo, C.C. Paco Urondo, C.C. Recoleta, entre otros.<br \/>\nParticipa en agrupaciones como Artistas Autoconvocades, La Gran Paternal y AREA. Hace el podcast de arte contempor\u00e1neo El Anticr\u00edtico.\n<\/p>\n<p>[\/et_pb_text][et_pb_image src=\u00bbhttps:\/\/urbe.com.ar\/revista\/wp-content\/uploads\/2020\/07\/fin-artificio.png\u00bb _builder_version=\u00bb4.4.8&#8243; custom_margin=\u00bb5%||5%||true|false\u00bb][\/et_pb_image][\/et_pb_column_inner][\/et_pb_row_inner][\/et_pb_column][et_pb_column type=\u00bb1_3&#8243; _builder_version=\u00bb3.25&#8243; custom_padding=\u00bb|||\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_blog fullwidth=\u00bboff\u00bb include_categories=\u00bb7,11,8,9,10&#8243; meta_date=\u00bbj M,Y\u00bb excerpt_length=\u00bb80&#8243; show_author=\u00bboff\u00bb show_categories=\u00bboff\u00bb show_pagination=\u00bboff\u00bb masonry_tile_background_color=\u00bb#83d9d8&#8243; disabled_on=\u00bbon|off|off\u00bb _builder_version=\u00bb4.4.8&#8243; header_text_color=\u00bb#FFFFFF\u00bb body_text_color=\u00bb#FFFFFF\u00bb meta_text_color=\u00bb#FFFFFF\u00bb read_more_text_color=\u00bb#FFFFFF\u00bb background_enable_color=\u00bboff\u00bb custom_margin=\u00bb-9%||1%||false|false\u00bb custom_margin_tablet=\u00bb0%||||false|false\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|desktop\u00bb custom_padding=\u00bb||0px|||\u00bb header_text_shadow_style=\u00bbpreset3&#8243; header_text_shadow_color=\u00bb#000000&#8243; body_text_shadow_style=\u00bbpreset3&#8243; body_text_shadow_color=\u00bb#000000&#8243; meta_text_shadow_style=\u00bbpreset3&#8243; meta_text_shadow_color=\u00bb#000000&#8243; border_color_all_image=\u00bb#a4e3e9&#8243; border_width_top_image=\u00bb2px\u00bb text_shadow_style=\u00bbpreset3&#8243; text_shadow_blur_strength=\u00bb0.54em\u00bb text_shadow_color=\u00bb#000000&#8243;][\/et_pb_blog][et_pb_code _builder_version=\u00bb4.4.8&#8243;]<\/p>\n<style><!-- [et_pb_line_break_holder] -->  .et_pb_post .et_pb_image_container{<!-- [et_pb_line_break_holder] -->    margin-bottom: -144px;<!-- [et_pb_line_break_holder] -->}<!-- [et_pb_line_break_holder] --><!-- [et_pb_line_break_holder] -->.et_pb_post .entry-title{<!-- [et_pb_line_break_holder] -->    position: relative;<!-- [et_pb_line_break_holder] -->    bottom: 40px;<!-- [et_pb_line_break_holder] -->    margin-bottom: -50px;<!-- [et_pb_line_break_holder] -->}<!-- [et_pb_line_break_holder] --><!-- [et_pb_line_break_holder] -->.et_pb_post .post-meta,.et_pb_post .post-content{<!-- [et_pb_line_break_holder] -->    position: relative;<!-- [et_pb_line_break_holder] -->    bottom: 0px;<!-- [et_pb_line_break_holder] -->}<\/style>\n<p>[\/et_pb_code][\/et_pb_column][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Por Juan Miceli | Comienza con un proceso de lectura err\u00e1tica y posterior desguace de una enciclopedia Espasa Calpe, edici\u00f3n 1931, 130 vol\u00famenes. De esa hibridaci\u00f3n -entre el descubrir y cuestionar- se conforma una video instalaci\u00f3n viviente en la que se conjugan piezas cer\u00e1micas que se proponen como f\u00f3siles de la modernidad y proyecciones sobre [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2479,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2476","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sin-categoria"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>LENTA CANCELACI\u00d3N DEL FUTURO Y LA ESTAFA DE LA FORMA - Revista Urbe<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/urbe.com.ar\/revista\/lenta-cancelacion-del-futuro-y-la-estafa-de-la-forma\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"LENTA CANCELACI\u00d3N DEL FUTURO Y LA ESTAFA DE LA FORMA - Revista Urbe\" \/>\n<meta property=\"og:description\" content=\"Por Juan Miceli | Comienza con un proceso de lectura err\u00e1tica y posterior desguace de una enciclopedia Espasa Calpe, edici\u00f3n 1931, 130 vol\u00famenes. 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