{"id":12026,"date":"2026-01-20T23:07:28","date_gmt":"2026-01-20T23:07:28","guid":{"rendered":"https:\/\/urbe.com.ar\/revista\/?p=12026"},"modified":"2026-01-22T16:15:49","modified_gmt":"2026-01-22T16:15:49","slug":"jesters-privilege","status":"publish","type":"post","link":"https:\/\/urbe.com.ar\/revista\/jesters-privilege\/","title":{"rendered":"Jester\u2019s Privilege"},"content":{"rendered":"

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Emilia D’Amico<\/b> | La figura del buf\u00f3n como cr\u00edtico pol\u00edtico. De la corte medieval a Twitter, de Triboulet a Capusotto. \u00bfLa risa es resistencia o neutraliza el cambio? Un ensayo sobre el poder parad\u00f3jico de quien dice la verdad sin que nadie lo tome en serio.<\/p>\n

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M\u00fasica<\/strong><\/p>\n

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Jester\u2019s Privilege<\/h1>\n

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La figura del buf\u00f3n como cr\u00edtico pol\u00edtico. De la corte medieval a Twitter, de Triboulet a Capusotto. \u00bfLa risa es resistencia o neutraliza el cambio? Un ensayo sobre el poder parad\u00f3jico de quien dice la verdad sin que nadie lo tome en serio.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Por Emilia D’Amico<\/b>
22 de enero de 2026<\/span><\/p>\n

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I. La licencia de la risa en el poder<\/b><\/span><\/p>\n

<\/span><\/p>\n

Cuenta una an\u00e9cdota (probablemente ap\u00f3crifa) que Triboulet, buf\u00f3n de Francisco I de Francia, golpe\u00f3 al rey durante una cena. El monarca mand\u00f3 a matarlo inmediatamente, pero despu\u00e9s, quiz\u00e1s por nostalgia de las risas pasadas, quiz\u00e1s por ese capricho que caracteriza a los poderosos, le concedi\u00f3 elegir la forma de su muerte. Triboulet, sin dudar, respondi\u00f3: \u00abMajestad, elijo morir de viejo.\u00bb El rey se ri\u00f3, lo perdon\u00f3, y el buf\u00f3n sigui\u00f3 burl\u00e1ndose de \u00e9l durante a\u00f1os.\u00a0<\/span><\/p>\n

<\/span><\/p>\n

Esta escena, verdadera o no, nos muestra que el buf\u00f3n puede decir lo indecible precisamente porque su discurso no se toma en serio. Es el privilegio parad\u00f3jico del loco. Estar fuera del orden simb\u00f3lico le permite se\u00f1alar sus fisuras.\u00a0<\/span><\/p>\n

<\/span><\/span><\/p>\n

Hoy, ese rol no desapareci\u00f3, solamente cambi\u00f3 de pilcha. Los tuiteros an\u00f3nimos, los streamers que \u00abcomentan pol\u00edtica sin querer\u00bb, todos son herederos de Triboulet. Pero la pregunta se mantiene. \u00bfHasta d\u00f3nde llega el <\/span>jester\u2019s privilege<\/span><\/i>? \u00bfY qu\u00e9 pasa cuando el rey mismo aprende a hablar como buf\u00f3n? <\/span><\/span><\/p>\n

<\/b><\/span><\/p>\n

II. Genealog\u00eda del buf\u00f3n\u00a0<\/b><\/span><\/p>\n

<\/span><\/p>\n

Borges sol\u00eda recordar que toda clasificaci\u00f3n es arbitraria, que las taxonom\u00edas dicen m\u00e1s sobre quien clasifica que sobre lo clasificado. En funci\u00f3n de eso, intentamos trazar una genealog\u00eda imposible del buf\u00f3n, imposible porque el buf\u00f3n, por definici\u00f3n, se escapa de toda categor\u00eda.\u00a0<\/span><\/p>\n

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En la corte medieval, el buf\u00f3n ocupaba un espacio liminal. Ni noble ni siervo, ni dentro ni fuera del poder. Will Sommers, buf\u00f3n de Enrique VIII, pod\u00eda burlarse de las ejecuciones del rey porque se asum\u00eda que un loco no comprende la gravedad de la muerte. Pero, por supuesto, esa era precisamente la inteligencia del buf\u00f3n.\u00a0<\/span><\/p>\n

<\/span><\/p>\n

En Argentina, la genealog\u00eda pasa por figuras que todo el mundo recuerda pero pocos analizan. Tato Bores, durante la dictadura, perfeccion\u00f3 el arte de la cr\u00edtica oblicua. El silencio forzado, convertido en chiste, revelaba la censura mejor que nombrarla.\u00a0<\/span><\/p>\n

<\/span><\/p>\n

Peter Capusotto llev\u00f3 esto m\u00e1s lejos, hacia un absurdo extremo. Micky Vainilla, Bombita Rodr\u00edguez, Pomelo, son personajes grotescos que reflejaban la obscenidad de la realidad argentina mejor que cualquier an\u00e1lisis sociol\u00f3gico. El buf\u00f3n ac\u00e1 deforma.\u00a0<\/span><\/p>\n

<\/span><\/span><\/p>\n

Y luego Twitter permiti\u00f3 que cualquiera, desde el anonimato, se burlara del poder. Los memes funcionan como <\/span>jokers <\/span><\/i>colectivos. Nadie los firma, todos los comparten, y en esa viralidad an\u00f3nima hay una forma de inmunidad. \u00bfA qui\u00e9n arrest\u00e1s por un meme?\u00a0<\/span><\/span><\/p>\n

<\/span><\/p>\n

[\/et_pb_text][et_pb_image src=\u00bbhttps:\/\/urbe.com.ar\/revista\/wp-content\/uploads\/2026\/01\/urbe-1.png\u00bb title_text=\u00bburbe-1″ align=\u00bbcenter\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_code _builder_version=\u00bb4.25.2″ _module_preset=\u00bbdefault\u00bb text_orientation=\u00bbcenter\u00bb global_colors_info=\u00bb{}\u00bb] \"Legislatura-1\" <\/a>[\/et_pb_code][et_pb_text admin_label=\u00bbParrafo 1″ _builder_version=\u00bb4.27.4″ text_font=\u00bbTitillium Web||||||||\u00bb text_text_color=\u00bb#000000″ text_font_size=\u00bb20px\u00bb text_line_height=\u00bb2em\u00bb custom_margin=\u00bb2%|0%|2%|0%|true|true\u00bb custom_padding=\u00bb||0px|0px||\u00bb text_font_size_tablet=\u00bb17px\u00bb text_font_size_phone=\u00bb16px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb inline_fonts=\u00bbRubik,Alkalami,Titillium Web\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

III. La mec\u00e1nica de la inmunidad: por qu\u00e9 el chiste protege\u00a0<\/b><\/span><\/p>\n

<\/b><\/span><\/p>\n

En un cap\u00edtulo de <\/span>La broma<\/span><\/i>, de Milan Kundera, el protagonista manda una postal ir\u00f3nica a su novia y termina en un campo de trabajos forzados. El r\u00e9gimen totalitarista no toleraba la <\/span><\/span>iron\u00eda porque la iron\u00eda introduce distancia, y la distancia es el enemigo de todo totalitarismo. El buf\u00f3n, entonces, es figura peligrosa precisamente por esa distancia que crea.\u00a0<\/span><\/p>\n

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\u00abEs solo un chiste\u00bb funciona porque introduce ambig\u00fcedad sem\u00e1ntica. Cuando Dave Chappelle hace un chiste sobre temas delicados, siempre puede retroceder hacia la literalidad del humor. \u00abNo estaba haciendo una afirmaci\u00f3n pol\u00edtica, estaba haciendo re\u00edr.\u00bb Esta ambig\u00fcedad es su poder y su l\u00edmite. \u017di\u017eek plantear\u00eda que el chiste es la forma en que la ideolog\u00eda se dice a s\u00ed misma sin tomar responsabilidad. Es verdad y no-verdad simult\u00e1neamente.<\/span><\/p>\n

<\/span><\/p>\n

IV. El l\u00edmite del buf\u00f3n\u00a0<\/b><\/span><\/p>\n

<\/b><\/p>\n

Dave Chappelle sigue trabajando a pesar de controversias; otros no tuvieron esa suerte. \u00bfQu\u00e9 determina qui\u00e9n sobrevive? No hay respuesta clara, porque la l\u00f3gica de la cancelaci\u00f3n es tan arbitraria como la del perd\u00f3n real en tiempos de Triboulet. La pregunta no es s\u00f3lo qu\u00e9 determina qui\u00e9n sobrevive, sino d\u00f3nde se traza hoy la l\u00ednea de lo irrisible. Ya no la traza el capricho de un monarca, sino un tribunal difuso de sensibilidad p\u00fablica, algoritmos de plataformas y la econom\u00eda de la reputaci\u00f3n. El l\u00edmite del buf\u00f3n ya no es la guillotina sino la indiferencia o la expulsi\u00f3n del circuito.<\/span><\/p>\n

<\/b><\/p>\n

V. Cuando el poder aprende a re\u00edr de s\u00ed mismo\u00a0<\/b><\/span><\/p>\n

<\/b><\/p>\n

\u00bfQu\u00e9 pasa cuando el poder copta al buf\u00f3n?\u00a0<\/span><\/p>\n

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\u017di\u017eek tiene un concepto para esto: \u00abinterpassivity.\u00bb Delegamos nuestra cr\u00edtica en el comediante, quien la expresa por nosotros, y as\u00ed nos liberamos de la obligaci\u00f3n de actuar. El buf\u00f3n cr\u00edtica en nuestro lugar; nosotros re\u00edmos y nos vamos a dormir tranquilos, sintiendo que hicimos nuestra parte simplemente por haber entendido el chiste. Es la forma m\u00e1s sofisticada de neutralizaci\u00f3n.\u00a0<\/span><\/p>\n

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Trump, por ejemplo, fue maestro en esto. Utiliz\u00f3 todas las t\u00e9cnicas del buf\u00f3n pero desde el poder absoluto. Cuando el presidente de Estados Unidos tuitea obscenidades y luego dice que era sarcasmo, \u00bfqui\u00e9n queda para burlarse de \u00e9l? El buf\u00f3n tradicional queda desarmado porque su rol era decir lo que el poder no pod\u00eda decir; pero si el poder ya lo dice todo, sin filtro, \u00bfcu\u00e1l es la funci\u00f3n del buf\u00f3n?\u00a0<\/span><\/p>\n

<\/span><\/p>\n

Cuando el rey se viste de buf\u00f3n, la distancia ir\u00f3nica colapsa. Ya no hay \u00abafuera\u00bb desde donde criticar. Es el triunfo final del cinismo. Todo es chiste, nada es en serio, y por lo tanto nada importa realmente.\u00a0<\/span><\/p>\n

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VI. Para qu\u00e9 sirve el buf\u00f3n, entonces?<\/strong><\/span><\/p>\n

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Hay una lectura optimista, por supuesto. En dictaduras y autoritarismos, el buf\u00f3n mantiene viva la irreverencia. La risa, en contextos de opresi\u00f3n extrema, no es poca cosa. Pero hay otra lectura, m\u00e1s pesimista, m\u00e1s dif\u00edcil de refutar. El buf\u00f3n es anestesia. Convierte el horror en entretenimiento, la tragedia en contenido. Nos re\u00edmos de la corrupci\u00f3n, de la desigualdad, del colapso clim\u00e1tico, y esa risa nos libera moment\u00e1neamente de la angustia, <\/span>pero tambi\u00e9n nos libera de la obligaci\u00f3n de hacer algo al respecto. El poder no teme al buf\u00f3n; lo prefiere al revolucionario. Mejor que se r\u00edan de nosotros a que nos tomen en serio. Entonces, \u00bfqu\u00e9 es el buf\u00f3n? Una figura tr\u00e1gica, quiz\u00e1s. Ve la verdad con m\u00e1s claridad que nadie (por eso puede burlarse tan efectivamente), pero est\u00e1 condenado a decirla en una forma que nadie tomar\u00e1 completamente en serio. Su \u00e9xito es su fracaso. Mientras m\u00e1s re\u00edmos, menos actuamos.\u00a0<\/span><\/span><\/p>\n

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VII. La \u00faltima risa\u00a0<\/b><\/span><\/p>\n

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Imagino a Triboulet, siglos despu\u00e9s de cachetear al rey, ri\u00e9ndose solo en un teatro vac\u00edo. O quiz\u00e1s imagino al rey ri\u00e9ndose <\/span>con <\/span><\/i>el buf\u00f3n, no de humillaci\u00f3n sino de complicidad.\u00a0<\/span><\/span><\/p>\n

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Escribo esto y me pregunto: \u00bfqu\u00e9 soy yo, escribiendo sobre bufones en un ensayo que va a leer, con suerte, en c\u00edrculos que no van a cambiar absolutamente nada? \u00bfSoy un <\/span>jester <\/span><\/i>criticando a otros <\/span>jesters<\/span><\/i>, metiendo una capa m\u00e1s de distancia ir\u00f3nica? \u00bfO estoy haciendo lo que hacemos siempre: hablar, analizar, teorizar, mientras el mundo se quema afuera?\u00a0<\/span><\/span><\/p>\n

<\/span><\/p>\n

No tengo respuesta. Pero tengo una \u00faltima pregunta.\u00a0<\/span><\/p>\n

<\/span><\/p>\n

\u00bfPrefer\u00eds un buf\u00f3n que te haga re\u00edr o un profeta que te obligue a actuar?\u00a0<\/span><\/p>\n

<\/span><\/p>\n

La diferencia entre ambos es que el profeta no te permite olvidar lo que escuchaste. El buf\u00f3n s\u00ed.\u00a0<\/span><\/p>\n

<\/span><\/p>\n

Y quiz\u00e1s, solo quiz\u00e1s, por eso seguimos eligiendo al buf\u00f3n.<\/span><\/p>\n

<\/span><\/p>\n

[\/et_pb_text][et_pb_blog fullwidth=\u00bboff\u00bb posts_number=\u00bb3″ include_categories=\u00bbcurrent\u00bb meta_date=\u00bbj M,Y\u00bb excerpt_length=\u00bb80″ show_author=\u00bboff\u00bb show_categories=\u00bboff\u00bb show_pagination=\u00bboff\u00bb masonry_tile_background_color=\u00bb#FFFFFF\u00bb disabled_on=\u00bbon|off|off\u00bb module_class=\u00bbpa-blog \u00bb _builder_version=\u00bb4.25.1″ header_font=\u00bb|700|||||||\u00bb header_text_color=\u00bb#FFFFFF\u00bb header_font_size=\u00bb20px\u00bb body_font=\u00bb|600|||||||\u00bb body_text_color=\u00bb#FFFFFF\u00bb meta_text_color=\u00bb#FFFFFF\u00bb read_more_text_color=\u00bb#FFFFFF\u00bb background_color=\u00bb#FFFFFF\u00bb min_height=\u00bb100px\u00bb custom_margin=\u00bb0px||0%||false|false\u00bb custom_margin_tablet=\u00bb0%||||false|false\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|desktop\u00bb custom_padding=\u00bb||0px|||\u00bb header_text_shadow_style=\u00bbpreset3″ header_text_shadow_color=\u00bb#000000″ body_text_shadow_style=\u00bbpreset3″ body_text_shadow_color=\u00bb#000000″ meta_text_shadow_style=\u00bbpreset3″ meta_text_shadow_color=\u00bb#000000″ border_color_all_image=\u00bb#FFFFFF\u00bb border_width_top_image=\u00bb2px\u00bb text_shadow_style=\u00bbpreset3″ text_shadow_blur_strength=\u00bb0.54em\u00bb text_shadow_color=\u00bb#000000″ global_colors_info=\u00bb{}\u00bb][\/et_pb_blog][et_pb_image src=\u00bbhttps:\/\/urbe.com.ar\/revista\/wp-content\/uploads\/2023\/05\/banner-escritores-copy.jpg\u00bb title_text=\u00bbbanner escritores copy\u00bb _builder_version=\u00bb4.21.0″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb15%||||false|false\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Por Emilia D’Amico<\/b><\/p>\n","protected":false},"author":10,"featured_media":12034,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"1080","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[33],"tags":[],"class_list":["post-12026","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artificios-artificios"],"yoast_head":"\nJester\u2019s Privilege - Revista Urbe<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/urbe.com.ar\/revista\/jesters-privilege\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jester\u2019s Privilege - Revista Urbe\" \/>\n<meta property=\"og:description\" content=\"Por Emilia D'Amico\" \/>\n<meta property=\"og:url\" content=\"https:\/\/urbe.com.ar\/revista\/jesters-privilege\/\" \/>\n<meta property=\"og:site_name\" content=\"Revista Urbe\" \/>\n<meta property=\"article:published_time\" content=\"2026-01-20T23:07:28+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-01-22T16:15:49+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/urbe.com.ar\/revista\/wp-content\/uploads\/2026\/01\/urbe-banner.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1080\" \/>\n\t<meta property=\"og:image:height\" content=\"700\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Alejo Bernhardt\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@Revistaurbe_\" \/>\n<meta name=\"twitter:site\" content=\"@Revistaurbe_\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Alejo Bernhardt\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"8 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/urbe.com.ar\\\/revista\\\/jesters-privilege\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/urbe.com.ar\\\/revista\\\/jesters-privilege\\\/\"},\"author\":{\"name\":\"Alejo Bernhardt\",\"@id\":\"https:\\\/\\\/urbe.com.ar\\\/revista\\\/#\\\/schema\\\/person\\\/4ddcf051fa628850264f4c6d61f63ee2\"},\"headline\":\"Jester\u2019s Privilege\",\"datePublished\":\"2026-01-20T23:07:28+00:00\",\"dateModified\":\"2026-01-22T16:15:49+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/urbe.com.ar\\\/revista\\\/jesters-privilege\\\/\"},\"wordCount\":2537,\"image\":{\"@id\":\"https:\\\/\\\/urbe.com.ar\\\/revista\\\/jesters-privilege\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/i0.wp.com\\\/urbe.com.ar\\\/revista\\\/wp-content\\\/uploads\\\/2026\\\/01\\\/urbe-banner.png?fit=1080%2C700&ssl=1\",\"articleSection\":[\"ARTIFICIOS\"],\"inLanguage\":\"es\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/urbe.com.ar\\\/revista\\\/jesters-privilege\\\/\",\"url\":\"https:\\\/\\\/urbe.com.ar\\\/revista\\\/jesters-privilege\\\/\",\"name\":\"Jester\u2019s Privilege - 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