{"version":"1.0","provider_name":"Revista Urbe","provider_url":"https:\/\/urbe.com.ar\/revista","author_name":"Alejo Bernhardt","author_url":"https:\/\/urbe.com.ar\/revista\/author\/alejo-bernhardt\/","title":"Una mitolog\u00eda terminal - Revista Urbe","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"xRAdDu9G3m\"><a href=\"https:\/\/urbe.com.ar\/revista\/una-mitologia-terminal\/\">Una mitolog\u00eda terminal<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/urbe.com.ar\/revista\/una-mitologia-terminal\/embed\/#?secret=xRAdDu9G3m\" width=\"600\" height=\"338\" title=\"\u00abUna mitolog\u00eda terminal\u00bb \u2014 Revista Urbe\" data-secret=\"xRAdDu9G3m\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/urbe.com.ar\/revista\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/urbe.com.ar\/revista\/wp-content\/uploads\/2025\/12\/miniatura-copia-1-1024x922.webp","thumbnail_width":1024,"thumbnail_height":922,"description":"\u00bfQu\u00e9 pasa si leemos a Ballard desde Argentina? \u00bfC\u00f3mo se transforman sus descripciones de las ruinas del mundo si las vinculamos con las pelopinchos que filma Lucrecia Martel? En este ensayo, ganador del premio de Ensayo del FAUNA, Milagros Porta se arroja a las piletas vac\u00edas ballardianas para responder estas preguntas."}